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This too shall pass

THIS TOO SHALL PASS

This too shall pass (2018) s’inscrit dans la continuité de mes projets Ripples (2013) et On the edge of silence (2016). Tous évoquent une idée de propagation et de répercussion.

This too shall pass vient s’ancrer dans ce cheminement avec une affirmation d’explorations et expérimentations, visuelles et sensorielles, du médium photographique et de ses supports imprimés. Paysages, corps et matières se répondent et se confondent, entre surfaces sensibles et profondeurs indicibles. La notion d’impression, au sens physique et au sens psychologique, vient faire surface dans le processus. L’idée de propagation et de répercussion s’exprime à travers une oscillation constante entre enracinement, transfor­mation et effacement.


 

This too shall pass (2018) is the continuation of my projects Ripples (2013) and On the edge of silence (2016). All projects evoke the idea of propagation and repercussion.

This too shall pass goes deeper into visual and sensorial explorations and experimentations of photographic and printing mediums. Landscapes, bodies and materials dialogue and merge through sensitive surfaces and unspeakable depths. The notions of impression and imprint, on both the physical and psychological level, come to the surface in the process. The idea of propagation and repercussion is expressed through a constant oscillation in between the rooted, the transformed and the erased.

 

http://www.charitythomas.com/wp-content/uploads/2019/03/Sound-For-MANIFESTATIONS-March2019.mp3
Sound by Charity Thomas.
Extracts of songs heard in the piece :
An interpretation of the Beatles’ song “Oh draling” by Charity Thomas – Voice and Mathieu Jouen – Guitar
“Mrs C” by Scott and Jenny Thomas